HDTV studio field production camera. Up to now, 4K TV production camera systems have been prohibitively expensive due to the special lenses required albeit efforts from camera manufacturers to lower the cost of such systems. Custom lens mounts have even been developed to facilitate the use of special Cine-style lenses that offer limited zoom ratios, operational controls, different depth-of-field characteristics and costly or inefficient production workflows.
Employs B4 [BTA S-1005A] 2/3-inch lenses the industry standard
B4 lenses have a standardized image size, flange-back distance and electrical interface with the camera
Compatible with existing and future HDTV broadcast, bayonet mount lenses from all manufacturers
Functions as a normal 2K (1920x1080/60p) 3G camera while recording 4K in real time
Designed around the latest generation of CMOS sensors
High Signal to Noise Ratio of 59dB is achieved in full 4K [4096 x 2160 pixel] raster image
High sensitivity of F8.0 is achieved in full 4K [3840 × 2160/59.94/P] progressively scanned raster image
Retains a faithful 4:2:2 color space at 10-bits/sample
Camera head power consumption: <38W
Employs existing SMPTE-304/311 Hybrid fiber cable and connectivity
Available 2x 2K progressive outputs directly from the camera head
AC Power + Digital and analog teleprompter outputs at the camera head